This week I saw a picture of a beautiful 18th century Nativity scene which has been part of the Christmas display at the Metropolitan Museum of Art in New York City for the past 50 years.
In general, it is a traditional nativity scene. The usual cast of characters are there: Mary, Joseph, baby Jesus, the shepherds, the magi, lots of animals, and lots and lots of angels, more than a hundred pieces in all.
But there is one thing about this particular scene that sticks out. In the background are the ruins of an old Roman temple. This is obviously not part of the normal telling of the Christmas story, so the artist is trying to make a point, and I think it is an insightful one.
At the time of Christ, the new Roman Empire, under the leadership of its first Emperor, Caesar Augustus, had advertised itself as holding out so much hope for the world.
His name was originally Octavian, but he took on the title Augustus, which means “divine.” An inscription at that time claimed, “The birthday of the god has marked the beginning of good news for the world”. The Romans hailed Augustus as the “savior of the world”. It was a time of great national pride, an era referred to as the Pax Romana, the Roman peace.
But as with any great man or woman, as with any empire, the peace he promised was only temporary.
That’s what Luke tells us. When the angel appears to Mary in chapter 1, he tells her “He will be great and will be called the Son of the Most High, and the Lord God will give Him the throne of His father David, and He will reign over the house of Jacob forever, and His kingdom will have no end.”
And then he begins the next chapter with, “In those days, a decree went out from Caesar Augustus…” In other words, “back when Caesar Augustus was ruling…back in the days of that kingdom that DID end…”
By the time Luke was writing this, the one who was supposedly good news to Rome was DEAD. The one who was the savior of the world…DEAD. The one who was to bring lasting peace to the world…DEAD.
But before that, right in the middle of Caesar’s reign, an angel appeared to a bunch of shepherds and made an announcement: “I bring you REAL good news of great joy which will be not only for the privileged and powerful among the oppressors, but good news which will be for ALL people, for today in the city of David there has been born FOR YOU a REAL Savior, not Caesar the one who proclaimed himself to be savior and king, but Christ the Lord, the One who really is Savior and King….”
Then a bunch of angels appear in the sky saying “Glory in the highest, not to Caesar who gave himself the title of god, but to the One who really is God; and to the people of the world, peace, not the temporary and very limited peace of Rome, but the peace of God.”
The artist shows us the Roman Empire, with its empty promises of peace lying in ruins with its false gods. And its rulers, who spent their whole lives feeding their lust for power and fame, are dead and have faded into the background of history. “Like grass,” the Psalmist writes, “like the flower of the field that flourishes and then the wind passes over it, and its place is no more.”
But the Nativity gives us a picture of a different kingdom. "Nativity" is defined as "the processes or circumstances of being born," or "the place of origin." The coming of Christ gives us a glimpse into a kingdom that is not in decline, but is always a place of origin, of continual new birth, of newness that never ends.
Whether that 18th century artist was thinking all of this, I don't know. But I do know I am so thankful that, as a son of the King, I am part of a kingdom that will never end, a kingdom of life that is constantly being renewed. Christmas reminds me of that.
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